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FOGSTAND Gallery & Studio is a nonprofit art space and creative education centre. The space is temporarily closed.

This website has served as an online archive since 2022.

FOGSTAND Gallery & Studio. All rights reserved.

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FOGSTAND Gallery & Studio is a nonprofit art space and creative education center located in both Taiwan and USA. Established since 2014, FOGSTAND aims to promote and exhibit rigorous creative projects that maintain the ability to channel into a broader emphasis on creative education throughout eastern Taiwan. Attentive to its unique context, FOGSTAND’s primary focus is on bringing contemporary creative practices into a reciprocal exchange with local communities.

©2014-2024 FOGSTAND Gallery & Studio. All rights reserved. 

2019-2021 program sponsored by NCAF (Taiwan)

2018-2019 program sponsored by VAF through Midway Contemporary Art (USA), Taiwan Film Institue, Taiwan Cultural Center in New York, Minstry of Culture (Taiwan)

2014-2017 program sponsored by NCAF (Taiwan)

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This website has served as an online archive for FOGSTAND since 2022.

Exhibition on view: 07/14 - 08/05/2018
Opening : 07/14/2018, 7pm
Venue: FOGSTAND @ St. Paul, MN, USA

Exhibition & Play by Joo Choon Lin

07/14/2018, 8pm
07/15/2018, 2pm

Based on the Play “The Hind” By Leslie Scalapino
Cast: Dustin Steuck, Jennifer Nevitt, Kai Ajamu Joy, Saulaman Schlegel, Peaches Wojahn
Exhibition Book By Magdalen Chua
Music By Joe NG

Special Thanks: Claire Decklever, Jennifer Nevitt, John Wilhelm, Kyleah Rusch
FOGSTAND is pleased to announce a solo exhibition and theatrical play by Singaporean artist Joo Choon Lin. There will be two performances—loosely based on Leslie Scalapino’s play “The Hind—one on the evening of July 14th (8PM) and one on the afternoon of the 15th (2PM). Following the performances, the remaining installation will be on display until August 5th.

Underlying Joo Choon Lin’s practice is her philosophical interest in the nature of reality which might be summarized in terms of the philosophers’ longstanding investigation into the relations between appearance and essence. Choon Lin’s own investigation into these questions is also informed by her interest in technological developments: as the various technologies of representation devise new ways of capturing the likeness of things, so the quality of the surfaces of these things undergoes a transformation. Consequently, reality itself appears as if reconfigured. She has been experimenting with a range of materials and media as a means to examine the relations between visual and tactile experiences.

Video Trailer

Documentation Video