FOGSTAND
Gallery & Studio
GOODBYE!
漢 ︎︎︎ EN
Contact ︎︎︎ 聯絡
Support ︎︎︎ 贊助
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Current ︎︎︎ 當期
Archive ︎︎︎ 歷年
Artist ︎︎︎ 藝術家
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Residency ︎︎︎ 駐村
News ︎︎︎ 新聞
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Gallery & Studio
GOODBYE!
漢 ︎︎︎ EN
Contact ︎︎︎ 聯絡
Support ︎︎︎ 贊助
About ︎︎︎ 關於
Exhibition
Current ︎︎︎ 當期
Archive ︎︎︎ 歷年
Artist ︎︎︎ 藝術家
Workshop ︎︎︎ 工坊
Residency ︎︎︎ 駐村
News ︎︎︎ 新聞
Shop ︎︎︎ 販售
FOGSTAND Gallery & Studio is a nonprofit art space and creative education centre. The space is temporarily closed.
This website has served as an online archive since 2022.
©2014-2024
FOGSTAND Gallery & Studio. All rights reserved.
漢 ︎︎︎ EN
GOODBYE!
Exhibition
Current︎︎︎當期
Archive︎︎︎歷年
Workshop︎︎︎工坊
Residency︎︎︎駐村
Artist︎︎︎藝術家
News︎︎︎新聞
Shop︎︎︎販售
About︎︎︎關於
Support︎︎︎贊助
Contact︎︎︎聯絡
FOGSTAND Gallery & Studio is a nonprofit art space and creative education center located in both Taiwan and USA. Established since 2014, FOGSTAND aims to promote and exhibit rigorous creative projects that maintain the ability to channel into a broader emphasis on creative education throughout eastern Taiwan. Attentive to its unique context, FOGSTAND’s primary focus is on bringing contemporary creative practices into a reciprocal exchange with local communities.
©2014-2024 FOGSTAND Gallery & Studio. All rights reserved.
2019-2021 program sponsored by NCAF (Taiwan)
2018-2019 program sponsored by VAF through Midway Contemporary Art (USA), Taiwan Film Institue, Taiwan Cultural Center in New York, Minstry of Culture (Taiwan)
2014-2017 program sponsored by NCAF (Taiwan)
Web template
by Cargo
Web maintenance
by Wen-Li Chen
This website has served as an online archive for FOGSTAND since 2022.
Get Happy / Happy Days Are Here by Justin Nelson
Exhibition on view: 10/30 - 11/06/2022
Opening: Sun., 10/30, 1-5 pm
Venue: FOGSTAND @ St. Paul, MN, USA
https://gsamfa.com/year/2022/justin-nelson/
Exhibition on view: 10/30 - 11/06/2022
Opening: Sun., 10/30, 1-5 pm
Venue: FOGSTAND @ St. Paul, MN, USA
https://gsamfa.com/year/2022/justin-nelson/
FOGSTAND is excited to announce, happy days are here / get happy, a solo exhibition by Glasgow-based artist Justin Nelson. Nelson’s work seems to be a doubling up of passage within the passivity of sentimentality, and how each upends the other into becoming another other of itself. What follows can be read as two separate, adjacent statements, as opposed to a two column text.
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