FOGSTAND
Gallery & Studio
GOODBYE!
漢 ︎︎︎ EN
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Gallery & Studio
GOODBYE!
漢 ︎︎︎ EN
Contact ︎︎︎ 聯絡
Support ︎︎︎ 贊助
About ︎︎︎ 關於
Exhibition
Current ︎︎︎ 當期
Archive ︎︎︎ 歷年
Artist ︎︎︎ 藝術家
Workshop ︎︎︎ 工坊
Residency ︎︎︎ 駐村
News ︎︎︎ 新聞
Shop ︎︎︎ 販售
FOGSTAND Gallery & Studio is a nonprofit art space and creative education centre. The space is temporarily closed.
This website has served as an online archive since 2022.
©2014-2024
FOGSTAND Gallery & Studio. All rights reserved.
a reservoir / a ravine by Galilee Peaches
Exhibition on view: 9/10 - 9/18/2022
Opening : Sat., 9/10, 1-5pm
Venue: FOGSTAND @ St. Paul, MN, USA
Galilee Peaches is an interdisciplinary artist who studies the dynamics of intimacy betweenindividuals and within environments. She explores acts of retrieval, disruption and amendment, findingthat we leave distinct traces of ourselves and of our actions on the objects around us. Her aim is to recordthis imprint in order to better understand our individual histories and collective existence.
https://www.galileepeaches.com/
Exhibition on view: 9/10 - 9/18/2022
Opening : Sat., 9/10, 1-5pm
Venue: FOGSTAND @ St. Paul, MN, USA
Galilee Peaches is an interdisciplinary artist who studies the dynamics of intimacy betweenindividuals and within environments. She explores acts of retrieval, disruption and amendment, findingthat we leave distinct traces of ourselves and of our actions on the objects around us. Her aim is to recordthis imprint in order to better understand our individual histories and collective existence.
https://www.galileepeaches.com/
In this new work: ‘a reservoir / a ravine’, Galilee Peaches creates an archive that acts as a sieve; afictional collection of artifacts and found objects. A large wooden shelf is the centerpiece of theexhibition, hosting sculptures that appear calcified, forged or fossilized. This work reflects on theprecarious nature of excavated artifacts, personifying them and envisioning these objects as extensions ofthe body. The archive speaks to both care and neglect, placing value and negotiating loss. The forms areplaced in situ, which allows them to converse, spiraling into one another, generating fiction. This work ismade with an almost compulsive awareness to material and orientation, with each piece lingering on thesensation and implication of touch.
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